Конец Санкт-Петербурга или Новый Икар (1992)
01/01/1992••0h 6m
Overview
1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the diversity of temptations and creates a romantic performance-self-portrait.
Эдуард Шелганов
Director
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